Search results: 3642
PER4019M-2023-24-SEM2-A PER4019M | Theatre for Social Change | 2023-24 SEM2 (Group A)
- Enrolled students: 14
PER5003M-2025-26-SEM1-A PER5003M | Autobiography and Performance | 2025-26 SEM1 (Group A)
Module Code: PER5003M
Module Leader: Jules Dorey Richmond
Formative Submission: Monday 17th November (week 8)
Summative Submission: Performance: Monday 15th December (week 12) Catalogue Document: 19th January 2025
Welcome to Semester 1
I am looking forward to meeting and working with you all this semester. Our first session is on Monday 29th September in the dance studio at 9.00am. Please arrive 5 minutes early so you are ready for the class to begin. Each week we will meet as a group on a Monday in the dance studio, which is booked for this module between 9.00-4.00pm. During this time the register will be taken, and we will engage in creative workshop practice. In week 1 you will show/share your solo performance fragments made in response to the summer tasks set. This will mark the beginning of your creative journey over 12 weeks - going from solo, through to duet and finally into small group performances. Throughout the module you will explore lived experience as a site for performance making, which resonates beyond the self to the other.
Please be aware that everyone in the School of the Arts here at York St John is focused on giving you the most rewarding academic experience. Obviously, you will need to play your part, engage in the process, commit to your learning, and challenge yourself to make work that speaks beyond you to (an)other.
- Enrolled students: 17
PER5004M-2022-23-SEM1-A PER5004M | Children and Young People | 2022-23 SEM1 (Group A)
PER5004M Children & Young People (CYP)
Welcome to Children and Young People! We hope that you will enjoy this module and find it challenging and rewarding.
In this module you will engage in performance and workshop activities for children and young people in formal and informal educational and youth settings, exploring Drama / Dance in Education (DIE), and Theatre in Education (TIE).
Module Aims
This module will explore drama / dance practices that are used as tools for empowerment & participation with young people and, through exploration of the discourses around engaging young people in performance. You will gain an understanding of who this work is for, by and with.
Learning Outcomes
Upon successful completion of this module you will be able to:
1. Critically apply TIE & DIE concepts across educational and community contexts
2. Analyse performances as visual and textual artefacts within a social and political context.
3. Adjust and apply a range of approaches to performance and workshop delivery in educational contexts in settings of children and young people.
Children and Young People Module - Assessment Marking/Grading Criteria: 100% portfolio - Assessment workshop plan, drama workshop practice delivery / reflective essay (2000 words) / weekly module engagementWorkshop Practice (Assessment workshop (week 11) dates 5th Dec / 6th Dec and 7th Dec)
Observation of your weekly engagement in lectures and on your group placement in school. You will work in small groups to design and deliver issue based drama workshops in a year 11 - 15 years age context . A workshop plan will be submitted by each group before the workshop assessment is delivered.
You will be assessed on your approach to practice, your facilitation and co-facilitation approaches and techniques and your attunement to group and individual group dynamics. We will be looking for evidence of your:
- Responsiveness to the participants
- Capacity for facilitating and co-facilitating the participation of those involved
- Ability to work as part of a creative team and develop the group creative process
- Sensitivity to issues and social / educational / personal / youth context
- Ability to adapt to changing circumstances and learning / physical disability and diversity needs
- Communication skills (verbal and non-verbal) in relation to the participants, the setting and the drama activity
- Capacity to produce a creative response / performance sharing appropriate to the objectives of the youth theatre and project placement.
Reflective Document - 2000 word reflective essay submitted via online submission on moodle at midday on Monday 19th December 2022
A critical reflection on your workshop practice and experiences of research, delivery, performance making and evaluation in relation to your school placement. The reflective document will be constructed from a variety of critical reflections and research made throughout the children and young people module, reflecting on your experiences of: working within a youth & school context; issue based drama work (NSPCC It's Not Ok campaign), workshop techniques and methodologies explored; facilitating & co-facilitating and interaction amongst participants and group dynamics, with reference to appropriate theories of drama education, applied theatre and the wider issues explored within your group. (2000 words).
Your reflective document may contain:
- Aims and objectives of the work
- Synthesis of theory and practice
- Group dynamics
- The creative process
- Examination of current relevant practice (theatre companies / practitioners) in conjunction with your own experience
- Analysis of the setting and context of your group’s project
- Reflections on your creative processes and concerns
- Evaluation of the efficacy and impact of your performance/workshop
- Underpinning of related theories of drama, theatre in education or applied theatre
- Conclusions that you may draw from the work
Be careful however that you do not over-generalise about the group and treat them as homogenous. It is important to be aware of individual difference and to not write a descriptive essay.
Formative Feedback: There will be opportunities for ongoing feedback after each weekly workshop in school.
- Enrolled students: 9
PER5004M-2023-24-SEM1-A PER5004M | Children and Young People | 2023-24 SEM1 (Group A)
Welcome to Children and Young People! We hope that you will enjoy this module and find it challenging and rewarding.
In this module you will engage in performance and workshop activities for children and young people in formal and informal educational and youth settings, exploring Drama in Education (DIE), and Theatre in Education (TIE).
Module Aims
This module will explore practices used as tools of empowerment with young people and, through exploration of the discourses around engaging young people in performance, you will gain an understanding of who this work is for, by and with.
Learning Outcomes
Upon successful completion of this module you will be able to:
1. Critically apply TIE & DIE concepts across educational and community contexts
2. Analyse performances as visual and textual artefacts within a social and political context.
3. Adjust and apply a range of approaches to performance and workshop delivery in educational contexts in settings of children and young people.
Children and Young People Module - Assessment Marking/Grading Criteria: 100% portfolio - Assessment workshop plan, drama workshop practice delivery / reflective essay (2000 words) / weekly module engagementWorkshop Practice (Assessment workshop (week 11) dates 5th Dec / 6th Dec and 7th Dec)
Observation of your weekly engagement in lectures and on your group placement in school. You will work in small groups to design and deliver issue based drama workshops in a year 11 - 15 years age context . A workshop plan will be submitted by each group before the workshop assessment is delivered.
You will be assessed on your approach to practice, your facilitation and co-facilitation approaches and techniques and your attunement to group and individual group dynamics. We will be looking for evidence of your:
- Responsiveness to the participants
- Capacity for facilitating and co-facilitating the participation of those involved
- Ability to work as part of a creative team and develop the group creative process
- Sensitivity to issues and social / educational / personal / youth context
- Ability to adapt to changing circumstances and learning / physical disability and diversity needs
- Communication skills (verbal and non-verbal) in relation to the participants, the setting and the drama activity
- Capacity to produce a creative response / performance sharing appropriate to the objectives of the youth theatre and project placement.
Reflective Document - 2000 word reflective essay submitted via online submission on moodle at midday on Monday 19th December 2022
A critical reflection on your workshop practice and experiences of research, delivery, performance making and evaluation in relation to your school placement. The reflective document will be constructed from a variety of critical reflections and research made throughout the children and young people module, reflecting on your experiences of: working within a youth & school context; issue based drama work (NSPCC It's Not Ok campaign), workshop techniques and methodologies explored; facilitating & co-facilitating and interaction amongst participants and group dynamics, with reference to appropriate theories of drama education, applied theatre and the wider issues explored within your group. (2000 words).
Your reflective document may contain:
- Aims and objectives of the work
- Synthesis of theory and practice
- Group dynamics
- The creative process
- Examination of current relevant practice (theatre companies / practitioners) in conjunction with your own experience
- Analysis of the setting and context of your group’s project
- Reflections on your creative processes and concerns
- Evaluation of the efficacy and impact of your performance/workshop
- Underpinning of related theories of drama, theatre in education or applied theatre
- Conclusions that you may draw from the work
Be careful however that you do not over-generalise about the group and treat them as homogenous. It is important to be aware of individual difference and to not write a descriptive essay.
Formative Feedback: There will be opportunities for ongoing feedback after each weekly workshop in school.
- Enrolled students: 14
PER5009M-2021-22-SEM2-A PER5009M | Performance in Social Context | 2021-22 SEM2 (Group A)
- Enrolled students: 1
PER5009M-2022-23-SEM2-A PER5009M | Performance in Social Context | 2022-23 SEM2 (Group A)
Welcome to Performance in Social Context
In this module you will develop your understanding and practice in what has variously been called performance as social intervention, community theatre / dance, applied theatre or social performance. We will explore a wide range of practices and theories that facilitate and enable personal, political and social change. We will practically and theoretically explore the potential of theatre and dance to interrogate, challenge, educate and empower individuals and marginalised communities.
This module will focus on working with adults in the community in various settings. Students will explore how workshop practice and performance making can be adapted to the particular needs and abilities of individuals, groups and community locations. Also, looking at the consideration of the following topics; representation, participation, inclusivity and accessibility.
Students will work in small groups over a period of time with one community project weekly, from a choice of community groups locally and regionally, such as people with learning / physical disabilities, people who access mental health services, older people and people with dementia.
You will explore facilitation techniques appropriate to working in these various community settings and what is needed to attune to the place and people you are facilitating and working alongside and to examine group dynamics, creative and group processes and what's needed in order to deliver a successful, creative, inclusive and engaging workshop / performance.
Examples of placements:
Moving Minds
Dancing for Wellbeing
Converge
Mind the Gap
Students should expect an introduction to some of the following theories and practices:
· Facilitation skills
· Participation, accessibility and empowerment
· Political performance
· Theatre in health and social care contexts
· Theatre in the criminal justice system
· Theatre and Learning and physical disabilities
· Community dance
· Forum theatre
· Playback theatre
· Group and power dynamics on group process
· Ethics
· Evaluation and reflection
Assessment:
The portfolio assessment for this module will be a workshop or short performance supported by a reflective written document (2000 words)
Please note:
All lectures in Semester 2 are on Thursdays in Quad South Hall
Morning Session 9.30am - 12.00noon / Afternoon 1pm – 3pm
Module tutor - Rachel Conlon
Plus guest lecturers and practitioners
- Enrolled students: 8
PER5009M-2023-24-SEM2-A PER5009M | Performance in Social Context | 2023-24 SEM2 (Group A)
- Enrolled students: 11
PER5009M-2024-25-SEM2-A PER5009M | Performance in Social Context | 2024-25 SEM2 (Group A)
- Enrolled students: 14
PER5019M-2025-26-YEAR-A PER5019M | Perspectives on Musical Theatre II | 2025-26 YEAR (Group A)
Welcome to POMT2!
Perspectives on Musical Theatre II is the continuation of the theoretical strand of your degree and will prepare you for your dissertation in third year.Practical info
- Your Module Leader is Lucy Ivison: l.ivison@yorksj.ac.uk
- Sessions will be on Mondays 2:00 - 4:00 in CD/003 (in the Cordukes building).
- You should always bring something to make notes on, whether this is pens and paper or an iPad or laptop (not a phone please!). Some sessions may be writing-based, so I will make sure to let you know in advance in case anyone wants to borrow a laptop from the library.
Assessments
- Assignment 1 is a presentation (recorded, not live) due 15th December 2025
- Assignment 2 is an essay due 26th May 2026
Why is POMT important?
- Expressing our ideas and opinions - both verbally and in writing - is a skill that everyone needs to practice. It helps us with communication and critical thinking, vital for both our personal lives and any future careers we may pursue.
- Being able to look deeper than surface level - researching to find more perspectives and learn new terms and information - helps us form our own opinions from an informed place, build more knowledge and pass it on to others.
- Any musical theatre practitioner needs to be able to understand the art form not just in terms of practical skill, but the meanings behind what we are saying, singing or dancing. Knowing about the industry, the history and the repertoire is hugely important for anyone wanting to one day work in this field.
In short, the knowledge and skills you build in POMT and POMTII will help you do your best in all of your other modules to get the best degree you can, but also come into play throughout your life in more ways than you may realise!
- Enrolled students: 25
PER5020M-2022-23 PER5020M | Scenes Through Songs | 2022-23
Following on from your first year performance experiences, this module will develop your technical and interpretative Musical Theatre vocal and acting abilities.
It also develops your skills as a ‘Solo Performer’; addressing all the musical and dramatic techniques required to effectively communicate an arresting solo Musical Theatre performance to an audience.
Students will be supported in finding an effective practice routine and dealing with issues such as tension and anxiety in performance.
This module is delivered across both semesters of level 5, enabling you, your module leader and your vocal tutors to work at length on the development of Musical Theatre song techniques.
This module aims to:
develop students’ technical skills as singers and acting singers;
offer opportunities to explore a wide repertoire;
develop students’ interpretative capacity and creativity;
support students’ creation and adoption of a coherent practice regime;
address issues of tension and anxiety in performance.
- Assignment 1 (Written Portfolio | 1500 Words) 30%
A plan and programme notes for a 'dream concert through the ages' - Assignment 2 (Solo Performance | 15 minutes) 70%
A public solo performance to include at least one piece which is composed or arranged by the student
- Enrolled students: 2




